‘Fetch’ has just four tracks, an indication that Moritz von Oswald and friends are looking to stretch out their structures. Here they sit at the junction of techno, dub and contemporary jazz, flitting between styles without ever threatening to become bogged down by structural confines. If that sounds a bit lofty it’s not meant to, as this is an ambitious album that also works as atmospheric music to have in the mid-foreground. There is a tension running through the music that keeps the listener ...