Subscribe to our mailing list

Here at DMC World Magazine, we work hard to bring you the very best interviews, latest mixes, reviews and much more for free! If you'd like to hear about all our latest exclusives then why not sign up to our weekly newsletter which will drop all of these things directly into your inbox once a week!

* indicates required
Email Format
Close

It’s hard to find the words to do justice to a record known to generations new and old, that has provided the soundtrack for many an intimate rendezvous; perhaps responsible for even more babies than Barry White! For the first time in a decade Motown will be remixing and retweaking classics from the Motor City vaults, and this, the first fruits, is already hitting US radio. A record unparalleled in its sheer sensuality and carnal energy, it remains the blueprint upon which all slow jams have since been measured; the task of updating this archetypical number is immense - to put it mildly. Kudos therefore to British-born garage producer, Paul Simpson, for a highly respectful and subtle re-production that skilfully updates without trashing the memory of the original. Set to a shuffling groove, akin to Keni Burke’s ‘Risin’ To The Top’, and with previously unused ad-libs that failed to feature in the 1973 original, this is a pure delight from start to finish and a timeless tribute to a record that defines the word ‘classic’. We’re not worthy.



5 Out Of 5

Reviewed By: Lewis Dene

Tags: Untagged
0 votes

Comments